Saturday, August 1, 2026

July-August 2026 Blog: European Beach Impressions

 July-August 2026 Blog: European Beach Impressions











I have had the privilege of being invited by my son and his family to join them on several European holidays. Once I know the flight is less than three hours, I can never turn it down. My days of enduring flights of ten hours or more are behind me.

My love of travel was instilled in me by my mother, who took my younger sister and me to visit family on nearby Caribbean islands, including St. Croix in the U.S. Virgin Islands, St. Kitts and Nevis, and Antigua. As an adult, I travelled farther afield, visiting Grenada, Haiti, Puerto Rico, and many other countries. My life's journey has also taken me across continents. I lived in the United States, then in Liberia, West Africa (1976–1990), and later in London, England, before settling in Basel, Switzerland, where I have lived since 1991.

My two most recent sunny holidays were to Sardinia and Santorini. Their warm climate, beautiful landscapes, and inviting beaches remind me of home, yet they are less than three hours away by plane. I am not a swimmer; I am a writer. I am content to lie in the sun and watch people, wade into the water to soak my feet, or wander with a camera in hand, capturing the scenery and the mood of the day. Later, I capture those same moments again with pen and paper.

Here are a few poems that reflect my impressions of these places and people who flock to them.
















Watching Hawkers On A Beach in Olbia


On this grey day

when the clouds holds back the sun,

the beach still overflows.

 

A rainbow of umbrellas and tents

cover slow, simmering bodies

on towels and in plastic chairs.

 

I sit in a one, the prison

my son has helped me into.

I am a people watcher

when not reading and writing.

 

Hawkers,  mostly Senegalese,

tramp up and down selling their wares--

towels, plastic balls, dresses, headbands, trinkets…

everything under the sun.

anything they can carry in hand, on head.

 

And there are Senegalese women

selling hair-braiding.

They zigzag between the bodies on the beach

in search of customers,

your choice of braided-style

on a poster they display.

 

At their base, not far

from where I am grounded,

I watch a woman, baby on back,

whose hands dance between strands of hair.

Her zig-zagging fingers, leaping and knotting,

create patterns on a head.

 

If Poseidon got tired of it all,

hawkers and sun-bathers and on-lookers,

he only need to splash his hands.

But the sea shows no sign of his splashing.

 

My eyes glaze over,

watching the hair-braiding---

the quick orchestration of hands,

the flicking and twisting of fingers.

They have put me, in my chair,

and Poseidon, lulling in the frothy surf,

under a spell.















Rooted and Uprooted


I sit in a green chair

rooted in white sand.

I needed a hand

to get into it...

my arthritic knees

painful in the steep bending.

 

From the low seat

the aqua sea is rimmed by the light blue sky,   

hemmed by the white-sanded shore

dotted by a rainbow of umbrellas

shading people in various stages of roasting.

 

The police come by

ordering me in Italian to move

and I try to speak with my hands,

tell them my old bones

cannot uproot themselves.

 

I am saved by a nice man

who heaves me onto my feet

and resettles me into a spot

not on a forbidden path.

 

I am rooted in my chair once again.

and I watch those grateful

to the gods of sun and sea

for browning their bodies

now roasted rare,  medium and well done.

 

(Althea Romeo Mark Sardinia 2025)

 

On The Way to The Beach in Perissa, Santorini

 

We had arrived late at night in Perissa.

 

In the morning, the desert-like terrain unveils itself.

Brown, barren mountains reaching for the sky surround us,

stare down at the dry land.

The wind blows sand and dust in all directions.

Our white hotel stands in stark contrast,

to the brown mountains and blue sky.

 

On the road to main street, the town center,

two piebald horses and a black donkey

stand amid plastic trash in a dry field.

 

Our hearts go out to animals standing in the heat.

A blue container of water is there to quench their thirst.

We wonder where the owners of the branded animals are?

Do they take them home at night?

 

To the left of us, a white church sits in a crevice,

in the bosom of the giant mountain,

a place to do penance, I presume.

Is getting there is part of the penance?

No roads are visible from where we stand.

 

Crossing the main road to the beach,

our ears are assaulted by revved up cars and motorcycles,

the noise testing the strength of our eardrums and hearts.

 

The black-sanded beach appears,

brown, straw umbrellas lining its length.

Tourists are roasting on the lounge chairs.

Some lobster red, some seared brown

like grilled meat at a barbecue,

sun-tan lotion the extra sauce for simmering.

 

The deep blue water invites us to enter.

We put our toes in, then sink in waist deep,

watch blue, yellow and red fish nibble at our legs and feet.

We dip down, feeling like a christening in the Aegean.

We are born again to the luxury of the seaside.




 










"Today, The Wind Is King"

 

White buildings stand against the pale blue sky

amid a swirl of cream sand and brown dust

blown left by the wind.

Subdued trees lean left too.

 

The windy voice mimics waves rushing to shore,

the crashing of water whipping rocks.

But here, there are no waves or rocks;

the sea is far away.

 

An abandoned construction site

bears the brunt of the lashing,

the lasso of sandy dust swirling.

 

Lumber and wires are ripped away in the storm,

their pieces fly off to unknown destinations

on the winds whimsical wings.

 

The brown mountains bear witness to it,

and so do we from the safety of our homes.

 

We stay in when the wind is king.

Let it do its work.

Keep out of its way until it is done venting.

 

 

© Althea Romeo Mark, Perissa, Santorini 2024



Althea Romeo Mark is an Afro-Caribbean educator and writer born in Antigua in 1948 and raised in the US Virgin Islands. While a professor at the University of Liberia, she founded the Liberian Association of Writers.  A mother of three Liberian-born children, she has published If Only the Dust Would Settle, The Nakedness of New, and On the Borders of Belonging. She won the Vincent Cooper Literary Prize (2023) for ”Saving Papa Rojas from the Deathbed Flirt.”

 



Continue Reading...

Thursday, May 21, 2026

April-May Blog: Three Poems Read at Poetry and Prose Open Mic Mother’s Day 10.05.26

 Three Poems Read at Poetry and Prose Open Mic Mother’s Day 10.05.26

Three poems in honor of Mother’s Day 2026


Poems are taken from The Nakedness of New collections published in 2017, Althea Romeo Mark

 





















Hanging Hearts on Clothes Lines

 

I         Wounds

 

I said I was moving to West Africa.

“Gyal done gone lose she sense,

goin’ to de dark continent,”

spat grandmother at my announcement.

 

Speechless, stern-faced mother

penned a letter of scalding words,

questions my motive for moving to

“ dat godforsaken place.”

 

When I put the Atlantic ocean between us,

I didn’t know that doing what I wanted

was launching spears at their hearts.

 

 

II        True Grit

 

I get married and bear three children

“in dat godforsaken place.”

After knock-down bouts with malaria,

I am a broomstick, collar-bone sunken.

 

I relive, thrive in grandmother’s by-gone days—

learn to start a fire, cook and grill on a coal pot,

draw well-water, kneel into the dirt of living.

 

I rub shoulders with peril—

make my own road through the bush

when it is swallowed by flood,

stare down the barrel of soldiers’ guns,

witness the hunt and capture of a pregnant python,

listen to men talk about the potency of its head,

the richness of its large eggs,

escape the jaws of driver ants and

a trap set by “heart-men.”

 

I drive pass my neighbor,

mother of a Bassa chief

and a condemned witch.

She pays penance daily for her deeds,

sits in mud on the roadside

and sustains her bags of bones

with boiled peanuts.

The Caribbean lore about men

gouging out hearts to make sacrifices

becomes real and I learn of new ones—

the danger of lightning throwers, and Nigi river-people

who drag victims down into their underwater world.

 

III      Life-lines

 

Mother’s monthly letters

are smudged with her tears.

she wonders,“Wha’ ah go do if me chile dead?”*

 

A new letter from mother says

“Granny dead three months ago,

didn’ wan’ burden you wid worry,

throw cocobey ‘pon yaws.”*

 

I wallow in the thought

she needs to spare me

from the news of lost loved ones.

 

IV      No Time-warp

 

Anger floods me

when I see mother again.

She is a greying, bent woman.

Who am I angry with? Time?

 

At seventy-two she abandons me,

leaves me an orphan just when

I am beginning to fit womanhood’s cloak.

 











Rope

 

The tug-of-war,

the pulling of  knotted rope,

the stretching ends,

the fraying ends,

fingers red and burning

from holding on,

from waiting to see

who is first to cave.

 

Who will lose their grip?

Mother or daughter?

 

It is not a matter

of winning or losing.

 

It is the Mother who must let go,

reject the temptation to throw a lasso.

 

The falling daughter

will rise into her own.

 

She will carry her mother’s cautions

in memory like a suitcase

filled with clothes,

and take them out to wear,

one by one,

to see how well they fit.

 

Beneath them all—

her own long cord,

the secret binding,

the thickened string,

the rope she, too, will pull

when the tug-of-war comes.

 

© Althea Romeo-Mark

 














Runners in the Marathon of Time

 

To my granddaughters

 

You were the gifts we awaited,

seeds nurtured in love,

brought to us through

the strength of our daughters.

 

Your lives, sung to us by our foremothers,

prayed for in their boundless world,

are the answer to our prayers, their prayers.

 

You come from women who are neither

willing victims nor victimizers.

Our words, passed on through time,

were never weapons of destruction,

but wise pronouncements

steeling minds and backbones.

 

You will witness the majesty, misery,

and mysteries of this world.

We will watch you stumble over obstacles,

observe you slip and slide while scaling walls

put up to hinder your dreams.

 

We, your guardians,

will let you find your way,

oversee the road you take,

allow you to become you.

 

Your lives are our continuum.

You are the torch-bearers of the new generation.

 

We pass the baton on,

blood of our blood.

 

© Althea Romeo-Mark

First Published in WomanSpeak: A Journal of Writing and Art by Caribbean Women, ed. Lynn Sweeting, Vol. 8, 2016

 

 

Althea Romeo-Mark, an educator and writer, was born in Antigua, West Indies, and grew up in St. Thomas, US Virgin Islands. She has lived and taught in St. Thomas, Virgin Islands, Connecticut, and Ohio, USA, Liberia, West Africa, London, England, and Switzerland since 1991. Althea Romeo Mark, who writes poetry, short stories, and personal essays, is the author of two full-length poetry collections, The Nakedness of New and If Only the Dust Would Settle, (English-German), and four chapbooks, On the Borders of Belonging, Beyond Dreams: The Ritual Dancer, Two Faces, Two Phases, Palaver, and Shu-Shu Moko Jumbi: The Silent Dancing Spirit.

Althea was nominated for the Eric Hoffer Book Award in 2024 for her On the Borders of Belonging poetry collection by Kelsay Books publishers 2023. https://www.hofferaward.com/ She was awarded the Vincent Cooper Literary Prize in 2023 for her short story,” Saving Papa Rojas from the Deathbed Flirt.”  It goes to a Caribbean author for exemplary writing in Caribbean Nation Language (a term used by celebrated post-colonial Caribbean author Kamau Brathwaite to describe vernacular language born in the Caribbean).

 

 

 

 

 

 

Continue Reading...

Blog Archive