Wednesday, January 16, 2013

Medellin, Colombia, in grafitti and clay houses

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Beauty and the Beast Dance a Duet in Medellin

The clay god lives here.
Red dwellings paint blue sky-line.
Wedged between steel and cement giants,
scrappy narrow structures,
play hide-and-seek in their shadow.

Bricked barracks, sprung up like weeds
in the aftermath of reckless wars,
clutter and cling to steep mountainsides
and brim over with refugees.

Clay homesteads, teeter on the edge of precipices,
line roadsides like lost itinerants.
Lone figures lean out the miniscule windows
of rainbow-colored concrete closets,
dream of pennies and escape.

Herds of motorcyclists and streams of yellow taxis
clog the roads. Pedestrians inhale suffocating gas fumes.

Street vendors brave noise and smoke as they sell
mangoes, lemons, watermelons, pineapples,
sugar apples and sliced flesh of coconuts.

Pastry shops, doors adorned with iron bars,
bloom out of nooks, appease the hunger pangs
of sweet-toothed passers-by.

In a crowded market, displaying souvenirs,
a man grinds sugarcane stalks.
People wait to buy juice trickling into a pan.

The wealthy retreat in gated communities
with modern amenities and live in soap-opera worlds.
Drug lords orchestrate fiefdoms in the shadows.
Danger and death lurk round corners.

A black granite library, a misfit
among random construction,
stretches defiantly skyward,
to bring knowledge to the masses.

Medellin, a world metropolis,
masquerades in a carnival of contradictions.
The clay god watches
as beauty and the beast dance a duet.


© Althea Mark-Romeo 02.04.2011

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