Saturday, September 15, 2012

On the Road to Moko Jumbi Dreams

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On the Road to Moko Jumbi Dreams
Book review by Althea Romeo-Mark published in volume 26 of The Caribbean Writer (www.thecaribbeanwriter.org)


Alcess Lewis-Brown’s Moko Jumbi Dreams, illustrated by Wayne “Bully,” Petersen and Cynthia Hatfield, is the first in her Moko Jumbi Majorette series. The 107 page book, which was published by Little Bell Caribbean in 2011, is an imprint of Editorial Campana, New York.
This Special U.S. Virgin Islands Edition of Moko Jumbi Dreams, commissioned by the Office of the Governor, is a gift to the United States Virgin Islands children. The book, which is intended for youth ages 9-12, is not only to be read for pleasure but is also a medium for teaching social awareness, Caribbean history and geography. In addition, it encourages children to analyze words, explore and experiment with them.
Set in St. Croix, the story is unveiled through the eyes of a pre-teen named Lexi Govia.  It examines themes of friendship, relationships, estrangement, xenophobia, discrimination, self discovery, determination and reconciliation. Predominant themes, however, are self-discovery and xenophobia. 
           Lexi’s road to self-discovery had started before her, best friend, Yanna relocated. They had shared “their thoughts and daydreams in a thinking game they had created (12.),”and discussed Lexi’s insecurity about her height.  She “had tried everything possible to help her body grow. Sometimes she stood in front of the living room mirror while stretching up her chin and rotating her head and neck…….Some days she even tied soda cans to her feet and walked about on them (p. 12).”  Her shortness had enhanced her fascination with moko jumbies. “They danced on wooden stilt legs way above the ground…. combining the concept of walking on a moko jumbi stilts with twirling a majorette baton was what she daydreamed about all of the time (p.10).” However an approaching hurricane is a metaphor for the unraveling tensions that threaten to impede Lexi’s dream.
Lexi’s new neighbor, Bucky, a precocious adolescent fostered by Ivy Phelps, arrives.  Lexi’s mother (Mrs. Govia) notices their “accents.” “Sounds as if she is from one of those islands (p.27),” and refers to Ivy Phelps as a “conundrum (p. 27).” Mrs. Govia, an immigrant herself, shows her hypocrisy and her mother (Granny) cautions, “Bee, I raised you to be proud of your own heritage.” Mr. Govia tells his wife, “Don’t jump to conclusions now (p.28).” Unfortunately, the fear of strangers becomes virulent.
Ivy Phelps is licensed to operate a child care service.  But neighbor, Mrs. Debra Lean, assumes the children are criminals and “just wants the lovely neighborhood to stay the way it is (p. 32).” Mrs. Leans tramps door to door with a petition aimed at ostracizing and ridding the neighborhood of Ivy Phelps and her foster home, plants a sign (Leave!!! Leave this neighborhood) in Ivy Phelp’s yard, and tries to persuade neighbors to sell their property.  
Lexi’s father, Mr.Govia, and maternal grandmother, rebukes Mrs. Lean, “You can’t just paint everyone with the same brush (p.34).” Lexi , witness to Mrs Lean irrationalism, is warned by her parents about fear “… a concept that can act like a disease among people… It can destroy communities because when it grabs people, it has a way of causing them to do and say unbelievable things (p.66). Appalled by Mrs. Leans prejudice, Lexi becomes an activist and sets out to counteract her influence with a survey.
Lexi’s activism creates conflict with her new friends, Mrs. Lean and her parents. Bucky and his foster family, lash out at Lexi. “You can’t fix us… you need to take it easy (p59).” They feel her activism has worsened matters. Lexi’s parents scold her for labeling Mrs. Lean as “mean.” “You can get the same results without making people feel bad...Every action creates a reaction (p, 67).” The hurricane arrives “as if a fat, black hand lay across the day and was slowly closing its fingers around, to squeeze out its light (p.77).  Its destructive aftermath exposes the community’s vulnerability and brings them together.
The book addresses the xenophobic mentality that has plagued the Virgin Islands for decades and teaches tolerance. It also draws attention to second generation immigrant amnesia and urges against falling into that trap.
Though Lexi’s moko jumbi majorette dreams are deferred, she learns to walk on stilts, learns to walk tall as an activist and walks tall in her new knowledge of human frailty and strengths.
The book also promotes critical thinking and explores Caribbean island history and geography. Chapter one introduces many thinking words. One of the first is “concept.” “So, combining the concept of walking on moko jumbi stilts with twirling a majorette baton was what she daydreamed about all the time (p.11).”   New words are the basis of Lexi’s and Yanna’s “thinking game,” which had no rules.   Lexi declares “I can create any new word, just as long as my word fits the ideas that I have in my head.  Ideas make up concepts. (p. 15).”
Precocious Bucky gives geography and history lessons. He communicates his knowledge about the hurricane’s path, the Windward Islands, the Pillsbury Sound and we tour the Caribbean with his alphabet game. “What about Y,” asks Joan and Bucky explains that “Young Island is another one of the islands in the Grenadines (p.18),” and tells us that “the island was the home of a Carib Indian chief who traded it for a black stallion (p.18).”  From Mambo we learn that Borinquen was the Taino Indian word for the island of Puerto Rico (p.69).
Mr. Govia reveals that Senepol cows were imported from Senegal by the Nelthrops, a Danish family on the island of St. Thomas (p.17), educates the children about Aristotle, (p.22) and the origin of the breadfruit (p.80).
Lexi’s introduces Switzerland and Kenya, the home of President Barack Obama’s father (p. 20), and Mrs. Lean’s alienated son teaches Rastafarianism, love and forgiveness. Her grandmother is a vessel of proverbs.
The book although entertaining and educational is not without obstacles.  Chapter one is heavy with thinking words and an impatient reader may be tempted to give up.  It is smooth sailing, however, thereafter. One also questions the taxing vocabulary but the objective is for children to be challenged.
I commend the USVI government and Alcess Lewis-Brown for developing a project which encourages reading and provides stories relevant to Caribbean and the US Virgin Islands, home to generations of immigrants.

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